Lawfare Daily: Ideology, Action, and Terrorism in the 1970s
Senior Editor Michael Feinberg is joined by Jason Burke of The Guardian, the author of “The Revolutionists: The Story of the Extremists who Hijacked the 1970s.” The two discuss the roots of European and Middle Eastern terrorist organizations from that decade, as well as the response of governments to their attacks and the lingering hold that the milieu still maintains on popular culture.
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Transcript
[Intro]
Jason Burke: How do
broader movements generate this kind of fringe violence? And why does it carry
on often, much longer than the movement that spawned these groups? You know,
has any energy, and this certainly was the case. The 68 movement was kind of
over by the 70, 71, whereas the violence carried on through much of the decade.
Michael Feinberg:
It's the Lawfare Podcast. I'm Michael Feinberg, senior editor with Lawfare
here today with Jason Burke, a journalist with the Guardian.
Jason Burke: 10 years
later, you are moving to a very different conception of terrorism, a much more
right wing conception of terrorism. This is partly due to the Reagan
administration coming in. It's due to lots of other things going on, but one
that blames all terrorism around the world, on the Soviet Union, and on people
who are bad, mad, or misled.
Michael Feinberg:
Today we're talking about his new book, “The Revolutionists,” which covers the
milieu of 1970s terrorism in Europe, the Middle East, and Asia.
[Main Podcast]
I just wanted to start out, Jason, with asking a really basic
question, how and why did you come to write about this particular subject?
Jason Burke: It is
really the prequel to a lot of what I've been writing about for many years,
decades actually. So I, I started really thinking about doing the book when I'd
been commissioned to do a book about ISIS in the mid 20 teens. And as I kind of
tried to construct that as a project and think about what I could write, I
wrote a draft, which was basically a kind of potted history of Islamic
militancy up to that point. And it wasn't terribly good, didn't really work as
a book, so I dumped it and wrote another one.
But it, it did take me to a really interesting place and that
place was the mid to late sixties, and in a sense that surprised me because
everything we've been told, everything I've been reading. About the roots of
Al-Qaeda about the roots of ISIS itself, kind of took us back to the eighties
and the war in Afghanistan against the Soviets and, and the emergence of
radical Islamism in the Maghreb and elsewhere in the Middle East in that
period.
And suddenly I found myself 15 years further back. Looking at
the execution of Sayyid Qutb, the great Sunni Jihadist ideologue eventually,
and other really seminal events back then. And one of the things I saw, which
really struck me was that how that moment was not just a moment of ferment
among Islamists, obviously, but it was a global moment of revolutionary
activism energy.
And of course most of that was leftist, secular nationalist
across the world. And I suddenly thought, how interesting it is that that
happened at the same time. You know, Che Guevara, the great icon of the left, was
killed in 67. Qutb dies in 66. I mean, it's virtually contemporaneous and it
comes right before 68, which is this great global moment of protest.
And it takes us into the seventies where you see the great wave
of transnational terrorism that was so spectacular and so well known, and I
thought, now this is something that is worth digging into. And I looked at it,
I found lots of events that I thought were ripe for revision when new sources
and new accounts: Munich Olympics at 72, the Entebbe raid ‘76, much else.
And I also found these characters that are almost mythic now,
people like Carlos the Jackal, who's an icon of the Palestinian nationalist
cause, others, and thought it would be really interesting to look at them all
again in a new historical context and in parallel with other forms of radical
violent extremism that were emerging during that period.
Michael Feinberg: And
what's interesting that your book really highlights is between the sort of
leftist ideologues, largely in Western and Eastern Europe, and the groups that
would at least, I don't wanna say they gave rise to the Islamist wave of
terrorism that came later, but there's a Venn diagram with a large common area.
The two groups actually interacted quite a bit during the time that you cover.
Jason Burke: Yes and
no. I mean, the, what you get is the Venn diagram kind of maps from Middle
Eastern and to the kinda western activism, particularly with the Palestinians.
But the Palestinians at the time, those that had adopted the armed struggle, as
they called it, were nationalist secular with certain qualifications and on the
whole leftist, some dogmatic Marxists, others kind of leftist leaning. So they
were compatible in a sense with the broader internationalist leftist radical
world.
At the same time you had. Islamists emerging who would become
much stronger later on, but were certainly building in influence and in power
and in popularity in the Middle East through that period.
What interested me was that they had, were very much influenced
by the ambient environment that radicalism that was being pioneered was being
put into being realized by the leftists and, and the nationalists and I, I
mean, it's, it's, it's not that one kind of became the other or that there were
particularly close links, but they were definitely, the Islamists were
definitely influenced by the, the leftists.
And most importantly they were also proposing a revolutionary
project, and that's really key because in the Middle East, once the left fails
and is repressed. The leftist project does not succeed during the seventies,
there's a vacuum, and that vacuum is what provides this great opportunity to the
radical Islamists in the late seventies and into the eighties. So the, the, the
relationship is, is a complex one, but, but one that's really illuminating to
understand the, the, the roots of modern Islamism.
Michael Feinberg:
Yeah. And it's one of the things that struck me as so interesting in the answer
you just gave is there's definitely a series of social mores shared by the more
conservative Islamists that you chronicle, particularly towards the end of the
book, both on the Shia side in Iran, and also sort of the Sunni side.
As we get into the emergence of bin Laden and those social mores
are really at odds with the sort of lifestyle and personal habits that we would
see in the European groups that contributed to that febrile environment. It's
very difficult for me to say the least, to imagine Andreas Baader and somebody
who would join the IRGC is having a whole lot in common in terms of how they
live their lives.
Jason Burke: Certainly
in terms of how they live their lives, but not in terms of their enemies in, in
many ways. And, and that's what's key. So obviously they're huge divergences in
terms of, you know, social conservatism of gender, of much else, morality and
so forth. And, and of course the Islamists see themselves as fundamentally opposed.
In fact, you could argue that it's central to their project are fundamentally
opposed to western decadence, moral decadence of that nature, which would in
fact be kind of symbolized epitomized by someone like Andreas Baader and these
kind of German leftists, west German leftists in the late sixties and
seventies.
But what really struck me is the enemies are often very
similar, so primarily imperialism and its agents. So that would include Israel,
capitalism very often are there nuances there within Islamism, but on the whole
Zionism, as I say. And, and this revolutionary project, this idea that, you
know, through violence you can achieve transformative change that will usher in
an era of social justice is common, common to both.
And there are words, particular words that was, was taken from
leftist thinking, anti-colonial thinking, and were brought into Islamist
discourse and you can trace them quite clearly. There are some within the
radical world in, in Iran, for example, who try very hard to reconcile Shia
Islam and its traditions and parables and values with Marxist Leninism,
socialism, and they try and create new languages.
So yes, absolutely there's a very significant divergence when
it comes to the gender roles and other kind of conservative on one side and
very much more progressive on the other in terms of the, the social behavior.
But in terms of much else there, there's significant areas where much is shared
and, and that I thought was really interesting.
As I say, a lot of it's the vocabulary. A lot of it, the idea
is the targets, the, the sense of what is wrong with the world. Anti-Americanism
being another one that is shared. You know, if you did put someone from the IRGC
and and Baader together in a, in a room, Baader is actually dead before the IRGC
was founded.
But theoretically, they would absolutely bond on the evils
wrought by the U.S. across the world. They wouldn't have much else to to, to in
common. It's true, but that would definitely unite them.
Michael Feinberg: So
let me pull on something you just raised, you made reference to the sort of
idea shared by both leftists and Islamists that there is an almost regenerative
benefit for oppressed people that can come about through the use of violence.
It's a theory that I think is most famously articulated by Fanon.
Jason Burke: Yeah.
Michael Feinberg: And Sartre writes the introduction to “The
Wretched of the Earth.” And there's actually a point in your book in sort of a
famous point in history, where Sartre goes to Stammheim Prison to visit the
incarcerated members of the Baader Meinhof gang.
Jason Burke: He has a
meeting with Baader. He sits down and has this kind of bizarre conversation,
and they disagree over violence actually.
Michael Feinberg:
Right. It doesn't quite go as I think Baader would've hoped in terms of read
out.
Jason Burke: Yeah. He
comes out with this brilliant phrase, he says, I thought they were sending me a
friend, but they have sent me a judge.
And, and so it's just the most, I mean, there's some very good
transcripts of it that have been found now that German authorities recorded
that I was reading. And it, it's absolutely clear that Baader is committed to
this idea that through violence they can awaken the otherwise false
consciousness of the working classes in Germany, west, West Germany, and in the
capitalist world more, more generally.
And through this, they can expose also through violence, rather
they can expose the supposed fascist nature of the West German state and much
else. And Sartre is listening to him and just saying, well, you know, what are
you talking about? I mean, this is, this is complete madness. You ha, you
could, you, you, you have to, you know, move at the pace of the mobilization of
the people you can't use violence to, to jump start it.
And that goes to this really interesting tactical and strategic
question, which the left were wrestling with through that period. And it speaks
a lot to what people like Baader and others were trying to do. And that is the
so-called foco, the foco school of Guevara, who argued that a small
group of committed activists militants through violence could create the
objective conditions for revolution. Inverted and the kind of classic Marxist
approach, which is, you know, you have to wait for the dialectic Marxist
dialectic history to progress and evolve. And, you know, eventually the working
class will become sufficiently mobilized and you know, you have to work with
'em to make them understand what's going on, da, da, da.
And it takes decades, if not centuries. Obviously young men,
like Baader, young men around the world, were not interested in waiting. So
the, the foco-ist view had a considerable attraction at the time. And one of
the things that interests me is that you see that in Western Europe. You see it
in parts of the Middle East as well.
So in Iran you have groups emerging in the seventies, like the Fadaiyan-e-Khalq
who are leftist, who are trying to put that into practice. It fails actually,
they try it and it fails, but you also have Islamists who are trying to do it
too. And, you know, I can't prove that there was, that, that the Islamists, all
of them had read thinkers like Guevara or Marighella, Carlos Marighella, who's
also very influential among the leftist.
But some had, I know I spoke to some of them who had read and
they were saying, we, we read all this stuff, you know, we watched what the
Algerians were doing. We watched what the Vietcong were doing. We watched what
Guevara had done. And we thought we could do it too, but in a, in a different
context and with a different project.
Michael Feinberg: So
let me ask you a question. I'm gonna put you unfairly on the spot for a moment
as we, as we talk about this, 'cause we're sort of getting into the theory
behind the actions almost in like a sort of 50,000 foot philosophical view.
And, you know, regardless of what one thinks about Sartre’s existentialism or
his, I would argue, at least later, transformation into something else.
When he writes search for a method, you can't deny that he's a
serious thinker. He wrote, arguably the most influential treatise of 20th
century philosophy at one point. Should we take someone like Baader as a
serious, like both the fact that both of us are smiling betrays our answer.
Jason Burke: Yeah, I
No, the idea, listen, listen. I mean, if you wanna look, it's quite interesting,
good, good point. I mean, let's, if you drill down into the supposed Baader–Meinhof
gang, I mean actually they called themselves, the Red Army faction led three
main leaders. So there was Andreas Baader, there was his girlfriend, Gudrun
Ensslin, who's a much more impressive figure.
And there was Ulrike Meinhof who was a bit older. She was in
her mid thirties. The others were in their mid to late twenties, and she was a
radical journalist, very well known, highly intelligent, articulate, prominent
on late night talk shows, smoking lots of cigarettes, and arguing with usually
much older men about what was wrong with West Germany at the time.
Ensslin was a English literature PhD, fiercely intelligent. Two
very capable woman who is really the driving force behind the Red Army faction
in many ways, and certainly the, the person who put the logistics together and
had the authority at Baader. As one of associates later described me was a, a
loud mouth bore, who, who, you know, didn't think anything through was really
in, in it for, if not calling it the fun is probably wrong.
But, you know, there was an ideological kind of veneer over
what he was doing, but he, he was, it was more, he was in it because it was
something that gratified him. And he, he was absolutely not an intellectual. He
wasn't very interested in the intellectual arguments that Ensslin and others
would have.
He was a simplistic thinker, a reductivist thinker, as many of
them were naive in some ways. That's being generous. I mean, pretty unpleasant
in many others, and responsible for a great deal of human suffering. So I mean,
Andreas Baader who's seen in some circles is almost sort of sexy to use a word
from the time to me was a pretty loathsome individual. And certainly, I mean,
yeah, no comparison with somebody of the intellectual stature of Sartre.
And there's a brilliant moment in their conversation when Baarder
is explaining his strategy, which is based on Mao, to Sartre, and he explains
it. And Sartre comes back and says I'm not sure I completely understand, you
know, Mr. Baader. And Baader, kind of impatiently has to describe it all over
again. I mean, this is, as you say, you know, one of the greatest intellects of
the 20th century, and he's, you know, I mean, very, very different.
That said, I mean, Sartre mob was pretty misled on a lot of
politics in that period too, so, you know, the, in the, the, the straight
intellectual, but a, a lot of the people we're talking about, you know, not
just the Red Army faction, but others, they were educated. Okay. You know,
they're young, educated, middle class on the whole, they are the violent fringe
of the much broader movement of the late sixties.
And that really interested me and I think thought it was very
useful to dig into in the book, not. As you say from 50,000 feet, but, but
through these individuals, how do broader movements generate this kind of
fringe violence, and why does it carry on often, much longer than the movement
that spawned these groups? You know, has any energy, and this certainly was the
case, the 68 movement was kind of over by 70, 71, whereas the violence carried
on through much of the decade.
Michael Feinberg:
Yeah, it's funny, I'm gonna make a weird analogy and it may fall flat, but Baader,
Meinhof and, and his ilk in general reminds me of no one so much as the
protagonist from a Louis Malle film called Lacombe, Lucien, in which a
young man goes to try and join the French resistance during World War II and
being turned down is not being mature enough, ends up joining the Gestapo that
is stationed in his part of occupied France.
And I think somebody like Baader would've been drawn to
whatever, offer the most transgressive excitement possible at whatever moment
he happened to be living in. I don't think that's true of Meinhof. I don't
think that's true. Of a lot of the thinkers in the Middle East,
Jason Burke: It, it
would be true, perhaps of Carlos the Jackal, Ilich Ramirez Sanchez, as he is.
Michael Feinberg:
Yes.
Jason Burke: His real
name is who really the, the ideology was very much secondary to his own
personal gratification.
Throughout his career, but particularly in this period, and
that is something I was quite keen to emphasize in the book as well as I tell
his story that, you know, he's really not interested in Marxism, he's
interested in the mayhem and what it brings him in the way of kind of luxury
hotels and women and cars and money and guns and excitement and he is.
If not, not mercenary in the sense that he's fighting, fighting
or doing what he's doing for money as a true mercenary word, but he's doing it
not for ideological reasons. He's doing it 'cause, 'cause it brings him things
that he likes.
Michael Feinberg:
Yeah, I think it's weird. Carlos had a lot of unpaid public relations
personnel, whether it's journalists who contemporaneously, were looking for a
very sexy story or whether it is.
I think it's fair to call Robert Ludlum, middling novelist, who
used Carlos' reputation to bolster some spy fiction, but the reality of what he
did and what sort of person he was, you look at some of the operations in which
he was involved, that you recount, and a lot of them are almost a comedy of
errors.
Jason Burke: Oh yeah,
he wasn't very good at them. This is, Carlos was a pretty poor terrorist in
that most of his operations went badly wrong. I mean, they, they're quite
difficult to do. They're pretty ambitious quite often, particularly the OPEC
raid of 1975, which involved, you know, seizing about 60 hostages, including
the oil ministers of 20 countries roughly.
And then flying them around the Middle East. So he was trying
to do some quite spectacular things, but nonetheless, most of them go wrong.
And some of them, as you say, I mean, it's just, it is really kind of black
comedy. You know, the one incident that comes to mind is Paris where they try
to fire a rocket into a plane.
The first time they try and do it, they haven't got a rocket.
It's RPG, rocket propelled grenade. They haven't got propelled grenade. They
haven't got one sufficient range. And then they, they fire, they mess up firing
it. So they miss anyway, it, it's another plane, not a plane that they were
aiming for.
Next time they try again, they hide a better rocket launcher in
a toilet in an airport and they do that in the middle of the week. And then
when they go back to do the actual operation, they do it a weekend and they
have forgotten that the viewing platform where they've hidden this device in
the toilets is gonna be very crowded 'cause it's the weekend and people are
going off and looking at planes, which is what people used to do in the
seventies.
And the queue for the toilet is really long. So they, they,
they miss the plane. So they can, they get it out. It's too late. They get
caught by the john. I mean, you know, it's, it's farcical. It is kind of
keystone cop stuff. It's ridiculous.
Other times, obviously he's very lethal. I mean many shoots,
three French policemen coming to of them and then killed one of his own PFLP,
supposed comrades all in the space for about 10 seconds in Paris. He does that.
That's on the spur of the moment though. But on the whole, I'd say yes,
absolutely. And you know, he, he messes up an awful lot, but he gets away with
it for two main reasons. He has two really important talents and one is
relational.
He's just very good at manipulating people, convincing people,
persuading them to do what he wants, building relationships and so forth. He
was even sort of trying to charm me in this weird correspondence that we had.
And then the other thing he's great at is he understands celebrity and he
understands the power of celebrity and how to manipulate mass public opinion
and what the new media in the seventies can do for him.
And he uses that really effectively, both to, on some occasions
to save his own life, but on other occasions to scare regimes in Eastern
Europe, for example, into giving him safe havens and other protection. And also
to convince people like Gaddafi and the Assad regime in Syria that he can be
useful to them and that they should pay him very large sums of money to perform
terrorist acts and assassinations and such, like on their behalf. So for, for,
for that, yeah. He's a pretty poor terrorist as such, but he is very good at
other things and that's what allows him to continue operating right the way
through the period I look at.
Michael Feinberg:
Okay, so in the remainder of our time, there's three areas I sort of want to
drill down on now that we've covered, generally speaking, what these movements
were about and what made them generally interesting. And the first thing I want
to talk about is the governmental response to these various groups and their
actions. And I'm gonna start the conversation by making an overly sweeping
generalization. Feel free to pick it apart. I know it's far from perfect, but
it's a way to spur the dialogue.
And what I'm gonna say is this: we see a lot of the western
European governments react to acts of terrorism in a manner that is not just
non-confrontational, but almost ameliorative there. There is a belief that if
we give these organizations some of what they want, or at least come to an
agreement where we will let them live and operate in our countries so long as
they do not harm our own people, maybe they'll go away.
And in the Middle East, we have a lot of governments that react
quite the opposite. I'm thinking particularly of Jordan and Saudi Arabia, where
they engage almost at times in these large scale executions, if not outright
mini genocides at times, and they really come down with an almost
disproportionately violent response to what the groups are doing. And what's
interesting is neither approach really seems to work. What is unfair about that
characterization and like, what's a better one?
Jason Burke: No, no,
no. I think, no, I think that you're making good points. The, the both of both
of those things objectively are true. I, what I'd say is that the Western
Europeans are dealing with a very different form of radical violence in the,
the Western European governments are mainly confronting it's something that's
been produced by the Israel-Palestinian conflict rather than Islamism. At least until the Iranians start to do one or
two operations. And that's pretty minimal in the late, you know, the early
eighties that, that's in pretty minimal I, I'm talking about in Western Europe.
So they're took, they're looking at a threat which is rooted in
a particular conflict, which doesn't actually threaten them. I mean, you know,
the, the, the PFLP or the DFLP or or Black September, or any of the Palestinian
armed groups are not actually waging war.
Michael Feinberg: I
have to interject just 'cause.
Jason Burke: Yeah.
Michael Feinberg:
There was one point where I was reading your book. You've just gone through a
litany of rival groups.
Jason Burke: Yeah.
Michael Feinberg: Working for this cause it's basically
for those who have seen Monty Python's Life of Brian, this is like the debate
between the People's, Judean Front and the Judea.
Jason Burke:
Absolutely. And there's a reference to that in the book actually, because
interestingly, that sketch was recorded right at the end of the period. I'm
looking at, and it would've been inconceivable for it to have been recorded 10
or fifteen years earlier 'cause then they were genuinely scary. But much later
on, you know, you can get away with a bit of humor. It's a very funny scene
actually that anyone interested in terrorism or violent extremism of any sort
should, should watch.
But so, so yeah. So I, I mean, I could go on, I mean, there are
another, I can just go through another sort of 30 acronyms, but, but the, the
point being that what the Western Europeans are doing was something that was a,
a, a quite short period actually, where Palestinian groups to make a point were
launching these attacks into Europe. And yes, not all of them, but quite a lot
of them, tried to find some way of, you know, mitigating the threat by, as you
say, concluding these deals.
This was particularly in the early period because they didn't
have anything, any other policy options, basically. And one of the things
that's interesting is how, through the period, with the Israelis pioneering it
actually, but others picking it up very quickly, Western governments develop
the capability to intervene militarily if there is a hostage crisis or a
hijacking or similarly so, you know.
The Israelis do it in ’72. In Israel, what was soon to become Ben
Gurion Airport, is then Lod Airport. They do it obviously spectacularly in ‘76 in
Entebbe. The Germans do it in ‘77 in Mogadishu and take over an entire plane
kill three out of four hijackers wound. The last one, rescue all their people
with a newly formed group. The French former group, which goes into action too
and is successful the British UCSAS, military special forces and, and, and are
successful in ‘81 in, in London.
So by the end of the period they've actually got something
they, they don't have to capitulate otherwise, you know, what do they do?
There's confusion over what they're facing. I mean, what is this threat? They
don't even have a word for it. You know, they skyjack us, air pirates, you
know, nobody knows there isn't any legislation.
They can't, there's no kind of offense of hijacking a plane
that, you know, Leila Khaled when she ends up in London having attempted to
hijack a plane, nearly killing a steward or her accomplice did. He is then shot
by an Israeli security marsh. All of this goes on. She's held on the only thing
they, she's not charged at all, but the only thing they've got on her is an
immigration offense 'cause she's landed at Heathrow without a visa.
So there's just, you know, there's nothing there. The, the, the
final point about that period is, and through the whole of the seventies, and
this is really important for what comes later, is that this terrorism as such
is quite, you know, it, it's, the definitions are still very fluid. It's still
very much being debated famously at the UN in ‘72 in this period.
But there, there's this general consensus that it's a political
problem. And it comes outta a poli you know, other political problems. And if
you manage to sort out the political situation, circumstances that generated
that violence, the violence will end or subside 10 years later, you are moving
to a very different conception of terrorism, a much more right wing conception
of terrorism.
This is partly due to the Reagan administration coming in. It's
due to lots of other things going on, but one that blames all terrorism around
the world, on the Soviet Union and on people who are bad, mad, or misled,
basically, and that the only way to deal with them is to kill them or otherwise
eradicate their groups and anything else is moral cowardice. So all of these
things combine in the west to see a big change.
Your other point though, is absolutely right in, in, in the
Middle East, the, by the end of the decade, you're seeing a lot of Islamist
related violence. And the response is absolutely, you know, you, you, you mass
executions, you destroy cities, you do whatever you need, huge numbers of
arrests, massive prisons, torture, et cetera, et cetera. And, and as you say,
that doesn't actually work. You just get, it carries on.
One thing I think the important thing in in the West, and this
goes to the US as well, or Japan and so forth, is you have this wave of protest
in the sixties, you have a extremist fringe that is generated as a result of
that comes outta that and it lasts through the early seventies, and then it
kind of fades.
And yes, there's lots of terrorism. There's ethno, separatist,
terrorism, there's Etta, there's Puerto Rican stuff going on. There's the IRA
particularly Irish Republican terrorism. But this kind of leftist,
internationalist, revolutionary terrorism, there's looking for a massive
transformation, a complete wholesale transformation of national and
international culture, everything kind of over the demands of that protest
movement in the late sixties was met or were met.
You know, you had much better reproductive or legislation
guaranteeing reproductive right for women. You had much more funding going into
further education. You had lower voting ages. You had a number of kind of
politicians and sporting individuals and so forth who are now much younger and
were much more prominent and had influenced the hierarchies that had the post
second World War period had be, had been seriously degraded.
And it was, you know, a lot of what had been demanded by young
people in the late sixties was kind of coming through and was there and, and
that meant that the energy that had gone into that violence was now being
diverted into environmentalism and identity politics and sexual politics and
much else.
Michael Feinberg:
Alright, so you raise a really interesting points, and I wanna go a little bit
beyond the scope of your book to discuss it. A lot of the more ideological
demands, as you just stated, were met. And interestingly, a lot of the
individuals who are part of the 1970s European leftist milieu, not on the
terroristic side, but on the more sort of, let's call it the university based
side. The discussion groups, the protests, the the tracked writing, the
advocacy, a lot of them, I don't mean this phrase to be disparaging, but they
grow up and go into government themselves. I'm thinking particularly about a
couple of German politicians and some French ones, and they're in power decades
later.
When, as a result of the attacks on the World Trade Center and
the Pentagon in the United States, and then the attacks in your own country on
the Tube system, and then the attacks on the Spanish trains, they're running
the go. Or if they're not running the governments, they certainly have input
into them. That's, that's less true in the United States.
But in the United States, you still have people who had
exposure to this era. You know, George W. Bush is George HW Bush's son, and
George HW Bush at the time was the director of the Central Intelligence Agency
and the Ambassador of the United Nations. But it really seems to me, I say this
is somebody who spent most of his career as part of what is derisively referred
to as the national security state in the United States. So I'm sympathetic to a
lot of what the government did after 9/11 and in the years after.
But it seems to me that in Europe and in the United States,
there's almost this effort to view terrorism, not effort. There's a mistake.
Terrorism is viewed as this new phenomenon by the governments. Why didn't so
many Western governments look back to the seventies and try and extrapolate
what lessons they could? So when Al-Qaeda and ISIS come back on the scenes,
they don't have to reinvent the wheel, or am I being unfair to them?
Jason Burke: I I, I
think that the point you made that there were, I think you're referring Joschka
Fischer actually particularly.
Michael Feinberg: That's who I am thinking of.
Jason Burke: Yeah, the Germans. But yeah, I mean there
are a lot of the are smattering, there are a few of those kind of old leftists
who are now in government, very senior position,
Michael Feinberg: I
think Dominique de Villepin in France is roughly.
Jason Burke: Yeah,
but there are some, but I think actually one of the things that struck me when
I was writing the book and, and I spoke to a lot of people from that period,
one of the things I did was track down as many as I could and do these long
interviews. And one of the things that really struck me is that, yeah,
absolutely there are lots of people who, who are coming through as young, you
know, diplomats or soldiers or spies or just, or, or activists who come out of
either the late sixties and the early seventies or that ear that, that, that,
that second period, the, the eighties.
I mean, there's one, Benjamin Netanyahu, for example, who
career really took off. I mean, he, he, well, he was famously pushed into
politics by the death of his brother Yonatan at the Entebbe raid in ’76. But
whose career really starts to move in the early eighties. You know, a lot of
these people were formed by that period and you can't understand now without
looking at, at what happened then. So yes, I was coming across references to to
Bush elder. Conferences organized by Netanyahu, actually in Jerusalem in 81 and
thereabouts.
He, in fact, Bush elder was, it was very much involved in that
big debate in the UN about the definition of terrorism, which was a kind of
absolutely archetypal, one man's terrorist is another man's freedom fighter,
which actually isn't true.
But anyway, that was the discussion at the time and, and so
you, I think what happened in after 9/11 aas, you saw in many ways the replay
of a lot of those debates and a lot in Europe. A lot of those, a lot of it was
framed in the way it would've been framed in the seventies and in the U.S. it
was framed very much as it would've been framed in the early eighties when
people like George Schultz were actually talking about a war on terror in as
many words.
And, and the US was sustaining for the first time, like really
serious casualties through major terrorist a, a attacks in the Middle East. And
I think you, you, you saw a reversion then to these earlier patterns. You know,
for example, the, the response of people like wolf of its and others Rumsfeld a
lesser extent.
But the idea that you had to have a state sponsor for 9/11, I
mean, that, that is a pure, early eighties view of terrorism. You know, the USSR
is gone, doesn't matter. It must be someone else. If the USSR isn't, they all
have to be Iraq. So that was kind of on the right, on the left. You had exactly
the same kind of knee jerk response of going back to those instincts of the
seventies. Oh, well, you know, there must be a political reason here. If we can
find somewhere, let's bring democracy to the Middle East. Or let's find, and
maybe it's economics, which it usually isn't, but you know, that kind of root
cause argument.
And you saw in, in the los, this argument between, in a sense
Europe and the us. On this, you know, do we go for the seventies ar analysis of
terrorism? Do we go for the eighties analysis of terrorism?
Michael Feinberg: And
it's quite possible that, I don't know if I'd say neither is right, but
obviously I think we can agree neither is exclusively right.
Jason Burke: I, I
think, I think elements of both you know, there, there, there's, the terrorism
is not, doesn't create itself in a vacuum. I mean, clearly there are political
reasons for terrorism, social reasons, cultural reasons, all sorts of other
factors that, that, you know, you need to understand if you wanna comprehend
what makes a group radicalize, what makes individuals radicalize, what is
attractive about violence at any one time.
But at the same time, that doesn't mean that you know, straight
coercion. For example, use of force has no place in in, in the armory of any
state in trying to defend its citizens against terrorism. That would seem to me
to be completely nonsensical as was proved in 76, 77, so on and so forth. I
mean, it may be short term as a solution, but hey, you need a solution.
Well, I think what you do need. And both of the kind of
ideological camps we are talking about are not always very good at this is, you
know, intellectual honesty and, and looking at the problem as it is, not as you
want it to be because it fits your preconceived worldview.
Michael Feinberg:
Yeah, I think that's very fair. And I think, at least in the United States, and
I realize we have a bit of a different system than the UK to say the least, but
I think that's why. You often from the intelligence agencies and law
enforcement agencies get a considerably more nuanced analysis of any given
situation involving terrorism than you do from the political appointees who are
charged with publicizing that analysis as one of the absolutely. People who was
in the former group. It was a constant source of frustration for us.
Jason Burke: I'm, I'm
sure, I mean, you know, you, you, you know from the inside, but I, from the
outside, I spent a lot of time doing the research reading. A lot of the CIA
analysis of terrorist groups of the PFLP, of the PLP, of the, of the PLO,
whoever, but also of Iran, and also much later of these big questions.
I mean, there's the famous national intelligence estimate of
81, where, which is do the Soviet sponsor global terrorism and you know, the,
the, the, the senior officials who are all part of the Reagan administration
are all saying yes. And a lot of people around them in the kinda right wing,
echo chamber saying absolutely.
The CIA is saying, well actually, you know, the USSR isn't
often very keen on terrorism because it can't control it. It supports so-called
liberation movements, some of which involve or use terrorism from time to time.
So there's a connection there, but it's all a bit, so, yeah, abs and it's
actually, you know, they're really on the money with that.
So, yeah, and, and you know, we are in that classic tension
between the guys who really know and spend their lives looking at it. And then
the politicians who have to make a decision or sell it to the public.
Michael Feinberg:
Alright, so we've only really got time for one more question and I wanna make
it an almost more cultural question.
Before we began recording, I mentioned to you how much I've
always sort of intellectually been enthralled to the study of this era, and
that was largely because of a lot of media. I consumed when I was younger and
this is an era that Hollywood or what have you keeps going back. Maybe
Hollywood's the wrong example 'cause I'm about to cite a bunch of international
productions that have nothing to do with Hollywood, but the film industry we
saw say, is six and a half hour mini series or two and a half hour film
depending on where you were.
We saw the film adaptation of the Baader Meinhof gang book.
There was a film from the early eighties called Germany in Autumn, which was a
mix of documentary and fictional portrayals of how people reacted to a number
of events in Germany. And you know, you really can't get through a year without
some film on the Munich Olympics or the raid Entebbe, or you know, European
terrorism. Why does this era still have such a potent cultural draw for
audiences?
Jason Burke: It's a
really interesting question. Look I mean, I, we grew up on a lot of those as
well. So I think one of the reasons I read the book was that I really wanted to
kind of drill down and understand what was behind it all.
I think the answer to an extent of the characters, and
particularly with say, the West Germans, there's this sense that they're
relatable. You know, they're young people, they wanna change the world, and
they, they're wearing, you know, flared jeans, cowboy boots and or stacked shoe
heels, boots, and, you know, leather jackets driving BMWs and they're good
looking.
I mean, what's not to like? The violence is not to like, but
that seems to often be obscured somewhat in the portrayal there. I think the,
the events are quite a seismic. I mean, Munich, even people are much younger
than me or you still know about. It was a period where a lot of our modern
world came together.
It was end of the post second World War era and a lot of stuff
that we talk about now, globalization, computerization, travel was all in its
infancy, but rapidly gathering pace. But above all, I think now particularly.
It was a time when young people particularly, but others felt they could change
the world.
They genuinely felt that through their own actions, whether it
was marching and waving a placard in a protest, or whether it was blowing
something up or hijacking a plane, they genuinely felt they could make of not
just a difference, but be part of something that would transform the planet
forever. And that was the last time anybody thought that.
And it, and it went quite fast. By the early eighties, you
know, nobody was going on about revolution that idealism had gone and we'd
never recaptured it for good or ill. And I think that in this moment, the idea
that you as an individual can act and have that kind of impact at a deep level.
Is really attractive because we all feel so kind of powerless and and cynical.
So I think that's it. It may be for me, and there's the music
obviously.
Michael Feinberg:
Yes. For those who haven't seen Carlos, it has easily one of the best
soundtracks of any film I've ever seen. Now, I admittedly have a predilection
for post-punk, so anything that has, you know,
Jason Burke: We all
our crosses to bear. I, I, my publishers shout out to Knopp for allowing me to
do a Spotify playlist of the to go along with the book and then just, you know,
sending it out through their various social media channels to however many
hundreds of thousands of people.
Michael Feinberg: And
and we will end on a much lighter note than we otherwise would've. What is your
favorite song on that set list?
Jason Burke: You
know, I, it's very difficult to choose, but the one, I'll tell you what it is,
it's the Clash 1982 Rock The Casper. But it's a good tune, but, and a great
band. But it's also just full of these really quite amusing, in retrospect,
kind of geopolitical references that are kind of absent from most similar music
today. So I, I, I think I'd probably go with that.
Michael Feinberg:
Fair enough. Perhaps this is a good place to leave it. Jason Burke, thank you
again for joining us. I will unhesitatingly recommend your book “The Revolutionists”
to anyone in our audience who is interested in learning more about this
fascinating era.
Jason Burke: Thank
you very much. It's been a great conversation. Thank you, Michael.
Michael Feinberg: The
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